Here’s the story…
The Bardy Bunch: The War of the Families Partridge and Brady is a new musical written by Stephen Garvey that cleverly combines characters from The Brady Bunch and The Partridge Family with elements from about a dozen or so Shakespeare plays, most prominently Romeo and Juliet, Hamlet, Macbeth and Much Ado About Nothing. As with many of Shakespeare’s plays, The Bardy Bunch has moments of drama, comedy, and tragedy, coupled with a smattering of familiar tunes from both The Brady Bunch and The Partridge Family, including “I Think I Love You”, “Time To Change”, “It’s Sunshine Day” and “Come On Get Happy”.
My first encounter with this show was nearly two summers ago when I saw the full production at the Ellen Stewart Theatre at La Mama, one of the shows featured at the New York International Fringe Festival. I’ve always had an interest in Shakespeare’s plays, and variations thereof, and the premise of essentially a long crossover episode involving the main characters from The Brady Bunch and The Partridge Family, blended with a smattering of the Bard’s most famous plays was an ingenious one, of which I was fairly surprised no one had thought of doing before. Also, for the sake of full disclosure, another [added] reason for my interest in seeing this show was the fact that A.J. Shively, whom I had seen numerous times in La Cage aux Folles, was among the cast (as Greg Brady). The show was hilarious in utilizing easily recognizable catchphrases and references to both television programs, intertwining them with Shakespeare’s verse. The cast was spot on in their respective roles, and truly looked as if they were having a marvelous time; the performances skillfully avoided parodying the actors who had originally portrayed the characters on TV. Notable standouts were Erik Keiser as Keith Partridge, Annie Watkins as Jan Brady, and Cali Elizabeth Moore as Marcia Brady.
I was fortunate enough to attend a special presentation at Pearl Studios on May 16th, albeit a reduced version of the show (running about 90 minutes with out an intermission) with minimal costumes. There had been an initial presentation shortly after the run at the Fringe, a full production at the Kraine Theater; on both occasions, investors (as well as fans of the show) had been invited to see the presentation – I fell into the latter category, though had I had the financial means to do, I would have invested in the show. As it was a shortened version of the show, a narrator was included to fill in the bits that were taken out, and to provide exposition for the story.
Also as an unintentional and classic nod to the series, on the day I attended the presentation (there was another the next day) it was explained by director Jay Stern that Adam Wald, the actor portraying Danny Partridge, had recently developed laryngitis and would not be able to recite the lines, and that writer Stephen Garvey would be reciting the lines (which added another level of hilarity to the presentation.). Even as a reduced version of the show, it was witty and highly entertaining, and the majority of the cast from the Fringe Festival reprised their roles, (except for two, who had since moved out of New York), which is a testament to the quality of the show.
The goal of the show is to find an off-Broadway venue, a goal I sincerely wish the creative team achieve some time in the near future and hopefully after that perhaps a transfer to a Broadway theater. The Bardy Bunch: The War of the Families Partridge and Brady is a fun show that appeals to fans of The Brady Bunch and/or The Partridge Family, as well as for fans of Shakespeare pastiches.
For more information about The Bardy Bunch: The War of the Families Partridge and Brady, please visit their website: http://www.thebardybunch.com/