Shakespeare’s plays have existed for hundreds of years and have been adapted in a myriad of ways and performed in (almost) all media genres. The interpretations have ranged from the literal to the metaphoric, the serious to the surreal – his works have been translated into every (living) language in the world, and performed by men and women of all ages. Some interpretations are of the complete text (as they were written/transcribed), and some are reductions or adaptations of the aforementioned complete text. But for all the brilliant performances given by countless actors over the centuries in all the various incarnations of the text all over the world, there was something missing from those productions.
Well, at least the overt inclusion of alcohol during the performance – I’m almost certain that covert intoxication has been a component of an actor’s performance of Shakespeare (and perhaps other plays) since they were first conceived. Drunk Shakespeare, as performed by members of the Drunk Shakespeare Society, sets to fill this void, and with great spirit(s) [pun well intended], currently playing at the Lounge at the Roy Arias Stages on West 44th Street (near 8th Avenue). I obtained these tickets via the TDF ticket raffle table at the Broadway Cares/Equity Fights AIDS [BC/EFA] Flea Market & Grand Auction, and was intrigued by the premise of one actor downing (at least) 5 shots of whisky before attempting to perform a Shakespearean play.
[Disclaimer: As their site www.drunkshakespeare.com/ states, “We do not condone excessive drinking. Our actors have a regular rotation system and are carefully monitored at all times. Drinking in moderation can be fun. Drinking to excess can ruin your life. We promote healthy drinking.”
So these are professional drinkers of (American) legal drinking age – DO NOT TRY THIS AT HOME.]
As alcohol is a vital component of the performance, theatergoers have to be 21+ (and they do check IDs) – indeed upon entering the performance space, which is surrounded by bookshelves with chairs all around, patrons are handed a complimentary shot (on the night I went, it was a Tequila Sunrise). As it was Halloween, the Shakespeare play performed was (appropriately) Macbeth, and performed within 90 minutes, with five actors – four men and one woman, one of whom has the aforementioned multiple shots of whisky. At the performance I attended (with my friend Kelley, who was dressed up as Neil Diamond, circa 1970s), the five actors were Whit Leyenberger, Julia Giolzetti, Tim Haber (who also acted as the Host of the proceedings, explaining the overall premise), Brandon Carter and Josh Sauerman (the designated drunk actor). In the spirit of Halloween, several audience members (and the cast) were dressed in costume, and they held an informal costume contest, for which the first prize was a bottle of Moet & Chandon champagne – my friend Kelley won the contest, so thus we were bestowed said bottle of champagne.
The overall concept of Drunk Shakespeare is a kind of mash-up of the ethos of The Reduced Shakespeare Company, with a healthy dose of improv, reminiscent of Second City and Whose Line is it Anyway? The spirit of reduction abounds (skipping the “boring” parts and getting right to the sex and the killing), with periodic flourishes of pop culture references and audience participation/interaction, as well as challenges for the actors to incorporate throughout the performance, assigned by their fellow actors. There was definitely a sense of camaraderie (chemistry?) among the quintet – they reacted to one another not so much as a troupe of actors but more as a group of longtime friends putting on a (Shakespearean) play.
There wasn’t that much of a stage door experience, as the performance space was sparse (yet effective), and the cast (and audience) dispersed quickly after the performance, and I didn’t have the wherewithal to ask for a group photo with the cast (which may or may not have been impaired by the free champagne and Tequila Sunrise), I did manage to snap a photo of some of the cast with the costumed audience members (among whom was my friend Kelley).
It’s a brilliantly entertaining evening (or in my case, late afternoon) to watch a (literal) handful of actors perform the essence of a Shakespeare play, and to watch how (well) the intoxicated actor fares throughout the performance. Each performance is of a different play, with a different actor designated to partake in the “nectar of the gods”, so theoretically, there is a near infinite combination of possibilities and a high probability of a uniquely different performance every time. I highly recommend seeing this show, and to experience Shakespeare as it (probably) was performed back in Elizabethan times: with a healthy (moderate) dose of alcohol.
For more information, including performance schedules, visit: http://www.drunkshakespeare.com/