A little Disney magic has left Broadway with the closing of Mary Poppins, though not before entertaining four million theatergoers both young and old for 2,619 performances during its six-year run at the New Amsterdam Theatre. Of the stage adaptations of Disney films, Mary Poppins is perhaps my favorite of the ones I had seen, and remains one of my favorite Disney films. As I had written roughly two months ago, I was saddened to hear of its closing (though if rumors are to believed, the next show to occupy the New Amsterdam Theater is Aladdin, so perhaps a bit of Disney magic will return to Broadway soon). Even though the LED marquee boasted that the final performance was sold out, I was able to obtain a ticket at the box office [the show was not listed on TKTS] sitting mid mezzanine (center). Indeed it was a full house, with a good percentage of the audience comprised of young children and their parents.
There were cheers at the very start and throughout, with massive ovations after every musical number, with a few in the mezzanine section giving a standing ovation after “Step in Time” (myself included). The cast was fantastic, giving it their all as they have at every performance – the only notable indications that it was the final performance was during “Step in Time” with Nicolas Dromard (as Bert) delivering his line (upside down after tap dancing up the perimeter of the stage) “One Last Time” instead of the usual “Step in Time”, and Steffanie Leigh (as Mary Poppins) singing her final verse with great emotion before ascending to the heavens for the last time. After the curtain call and a final reprise of “Supercalifragilisticexpialidocious”, Thomas Schumacher, President of Disney Theatrical Group, came out to thank the audience for their support and introduced to the stage the backstage crew as well as many of the children who had played Jane and Michael Banks (there have been 42 different children playing those two roles during the six-year run). Also acknowledged were several former cast members in the audience, including original cast members Ashley Brown and Rebecca Luker, and Christian Borle, before introducing to the stage (among others) musical supervisor David Caddick and composer Richard Sherman, who, with his brother Robert, wrote the original songs for Mary Poppins.
There was a respectable crowd at the stage door (I suspect had it not been a chilly evening, the crowds would have been larger), waiting to greet the cast and show their appreciation. Despite the cold and the wind, the crowd waited and as the cast came out, there were hugs and conversations aplenty, with great appreciation from the cast of the crowd that remained waiting a little over an hour, along with the usual signing of playbills, posters and programs and posing for photos.
All in all, it was a magical experience to witness, though I must say that I’ve (sadly) seen too many closing performances of shows I love over the years. Then again, perhaps Mary Poppins’s job on Broadway is complete, and the show is needed elsewhere. Maybe we’ve got to get through things now on our own, but one this is for sure – like the Banks family, I’ll never forget Mary Poppins.